Charaideo Maidam: The pyramids of Assam

Charideo Maidams, often referred to as the “Pyramids of Assam,” are a cluster of royal burial mounds located in the Charideo district of Assam, India. These maidams stand as a testament to the glorious Ahom dynasty, which ruled Assam for nearly 600 years, blending unique cultural traditions and architectural marvels. This article delves into the historical, cultural, and architectural significance of Charideo Maidams, offering a comprehensive exploration of this UNESCO World Heritage Site.

Historical Significance of Charideo Maidams

Charideo was established as the first capital of the Ahom kingdom in 1253 by Sukapha, the founder of the Ahom dynasty. The name “Charideo” is derived from Tai-Ahom words, where “Che-Rai-Doi” means “the shining city on the hill.” It served as a political and religious center for the Ahoms and remained a sacred place throughout their reign.

The maidams were constructed as burial sites for the Ahom kings, queens, and other royal family members. They symbolized the Ahom belief in life after death. The royals were buried with their belongings, including weapons, ornaments, and sometimes even servants and animals, to accompany them in the afterlife. This practice was deeply rooted in the Tai-Ahom culture and religious beliefs.

Architectural Marvel of Charideo Maidams

The architectural design of the maidams reflects a unique blend of Tai-Ahom construction techniques and local Assamese craftsmanship. Each maidam comprises:

  1. Dome-Shaped Structures:


    • The primary structure of a maidam is a hemispherical mound built using bricks and earth.



    • The mounds are often surrounded by a boundary wall.


  2. Ornamentation and Carvings:


    • The maidams feature intricate carvings that depict Ahom culture, daily life, and mythological stories.


  3. Burial Chambers:


    • Inside the maidams lie burial chambers where the royals were laid to rest.



    • These chambers were designed to house the deceased along with their personal belongings and symbolic items for the afterlife.


  4. Preservation Techniques:


    • The use of lime mortar and brickwork has helped many of these structures withstand the test of time, though some maidams have suffered damage due to natural and human-induced factors.


Cultural and Spiritual Importance

Charideo Maidams are more than just burial sites; they are symbols of reverence and cultural identity for the Assamese people. The Ahom dynasty’s belief in ancestor worship is deeply tied to these maidams. Even today, the descendants of the Ahom community hold the site in high regard, performing rituals and paying homage to their ancestors.

These maidams also highlight the Ahoms’ connection to the Tai culture, blending it with local Assamese traditions to create a distinct cultural identity.

Charideo Maidams as a UNESCO World Heritage Site

On July 26, 2024, the Charaideo Maidams were officially inscribed on the UNESCO World Heritage List during the 46th session of the World Heritage Committee held in New Delhi. This recognition marked a historic milestone, making it the 43rd property from India to receive this prestigious honor and the first World Heritage Site in the Northeast under the cultural category.

Union Minister of Culture and Tourism, Gajendra Singh Shekhawat, highlighted the global significance of this recognition, emphasizing the rich cultural heritage of Assam and India. He noted that India now ranks 6th globally for the greatest number of World Heritage Properties.

Similar to the pyramids of Egypt, the maidams are earthen burial mounds of the members of the Ahom royalty. These mounds enshrine the mortal remains of Ahom rulers along with their belongings. The Ahoms transitioned to entombing cremated remains in maidams after adopting Hindu cremation practices in the 18th century.

Out of the 386 maidams explored so far, 90 royal burials at Charaideo are the best-preserved and most complete examples of this tradition. This UNESCO recognition is expected to enhance conservation efforts and bring global attention to the site.

Frequently Asked Questions (FAQs) about Charideo Maidams

1. Why are Charideo Maidams called the “Pyramids of Assam”?

Ans: The Charideo Maidams are often referred to as the “Pyramids of Assam” because of their structural resemblance to the pyramids of Egypt. Both serve as royal burial sites and reflect the cultural and spiritual significance of honoring deceased rulers.

2. What is the historical importance of Charideo Maidams?

Ans: Charideo Maidams were built as burial sites for the Ahom royalty and symbolize the Ahom belief in life after death. They represent the rich cultural and architectural heritage of the Ahom dynasty, which ruled Assam for nearly 600 years.

3. How many maidams have been discovered in Charideo?

Ans: Out of the 386 maidams explored so far, 90 royal burials at Charideo are considered the best-preserved and most representative examples of this tradition.

4. When were the Charideo Maidams inscribed as a UNESCO World Heritage Site?

Ans: The Charideo Maidams were inscribed as a UNESCO World Heritage Site on July 26, 2024, during the 46th session of the World Heritage Committee held in New Delhi.

5. What makes the Charideo Maidams unique?

Ans: The Charideo Maidams are unique for their architectural design, which blends Tai-Ahom construction techniques with local Assamese craftsmanship. They also reflect a 700-year-old tradition of royal burials and ancestor worship.

6. Are there any other UNESCO World Heritage Sites in Assam?

Ans: Yes, Assam has two other UNESCO World Heritage Sites in the natural category: Kaziranga National Park and Manas National Park. The Charideo Maidams are the first cultural site from Assam to receive this recognition.

Sources


  1. “Charideo Maidams Inscribed as UNESCO World Heritage Site,” The Hindu, July 27, 2024.



  2. UNESCO World Heritage Committee Report, 46th Session, New Delhi, 2024.



  3. “Historical and Cultural Significance of Charideo Maidams,” Government of Assam Archives.



  4. Tai-Ahom Historical Research Foundation.


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